Showing posts with label Victorian London. Show all posts
Showing posts with label Victorian London. Show all posts

Monday, May 8, 2017

The writer, the adventurer. Man of imagatination and my imagination as well: H.G. Wells.

Herbert George Wells, or H.G. Wells as he is famously known by, was an author whose imagination has sparked countless imitations of his writing, as well as numerous movies and TV shows.

I cut my writing teeth on this man.

He is also a hero of many of the stories I currently write, part of the Baker Street Universe, which focuses around Sherlock Holmes and a team mate of Jules Verne with whom he has numerous astounding adventures.





War of the Worlds: The Forever Friends


For a long time humanity appeared as if it were unchallenged and master of all they surveyed, conquering continent after continent, indigenous society after society, but things have suddenly changed.

Two young men who have become fast friends suddenly discover a mystery is happening and their fathers are in the middle of it.

Adults are suddenly called to war, with no announcement of what war.

Then ships are sunk on the Thames, but there are no enemy combatant ships in view.

Men and women start disappearing from town and city.

Jules Verne and H.G. Wells, two young men who want to become writers when they mature as adults, find themselves in the middle of a conflict straight out of their worst nightmares, as they discover the truth behind the missing ships, the sudden disappearance of their parents and enemies whose grasp of science far exceeds that of man.

A War of the Worlds is happening which shall challenge them, their friendship and humanity. Who and what will survive?

https://www.amazon.com/dp/B00LVO0UZ4 99 cents

Sunday, June 26, 2016

Redemption and Crime, Conan Doyle's Journey into Light versus Hyde's descent into Darkness

When I first set out to record the forgotten and unknown adventures of Sherlock Holmes and his fabulous, famous friends, my first thought was how could I possibly have enough years to put them all down on paper.

I have never known such a rich plethora of men and ideas in all my life. They range from incredibly bright scholars, to wild adventurers, famous magicians, exceedingly brave sea captains, and even a few monsters of hairy and invisible kinds.

Such a diversion of characters is bound to intimidate the lesser talented, or more abstracted writer, because most of us prefer to focus on one or two characters at the most.

But the rich history and parallel elements of the Bake Street Universe demand and command that I take all thrift of time and hurl it aside, allowing the mountainslide of adventure, mystery, fantasy and hope to tumble down where it may.

Last week I focused on Hyde, a very notorious character, first embodied in the personality of Doctor Jekyll on your world, but then later released to terrorize the parallel world of the Baker Street Universe.


But it seems that character demands further clarity and justice. For any being, even the least of them must have some motive for life, even as banal as just taking life might seem.

The horror of taking another man's life is only exceeded by the terror of it being your own. Perhaps that is why we cluster about accident scenes, slow down like long lines of cattle to watch the cars that are crashed along side the road, knowing that some day that could be us.

Fear of death is a mighty champion and takes no prisoners.

Hyde embodies all that is worst in man, and yet at the same time offers redemption, for that which is dark can be removed...we pray and hope...in time with the advent of Light.

What makes our Hyde so unique is that he doesn't just seek to take life to sustain his...or is it a he...life, but to also conquer those whom he slakes his thirst upon.

In many ways this horrible creature is also symbolic of power mad governments that slaughter innocents and enslave them to take their riches and wealth and gain domination. He also is a dark star in the sky of selfisness...showing all that man can fall prey to...lust, envy, greed, power, terror, murder. He embodies the seven sins.

What he does when placed in a story is to counterpoint that aspect of man which must strike out against the darkness in his own soul, fling off the possessions that strive to control his mind, heart and body, as well as soul, and move fully into the Light of pure determination and kindness.

Not kindness which is weak and easily slaughtered, but a kindness born of strength and determination to not give into the darkness, for any price!

One thing that Sir Arthur Conan Doyle's father realized as he separated himself from his family of loved ones, was that sometimes we must sacrifice all that we hold dear and love to protect a higher cause.

And so it is that we honor the soldiers who go into battle...sometimes wrongly...but do so to clear the path of darkness for those who seek a Greater Comfort and Light in their lives.


Thus the Baker Street Adventurers are a New Age team, captained by Sherlock Holmes, to right injustice, fight against evil, and to  stop the perpetuation of darkness upon the world by those blind to the good that dwells in their very own hearts.


And one day Conan of the Baker Street Universe, will not only have helped the greatest mind of crime detection, but also have found a place for himself wherein he can find peace at last. For though dead to his old world, he has risen like the Phoenix to be born to a longer, fuller life in the new.


Saturday, June 25, 2016

The Case of the White Phosphor "A Sherlock Holmes Mystery" John Pirillo



The Case of the White Phosphor

"A Sherlock Holmes Mystery"

John Pirillo

The Geldings Residence sat alone in a street of mainly shop keepers, a lone and ancient structure that had been inherited from generations of Geldings, starting from the days of King Cornish to the current Queen Mary of Scots. Not a lovely place. But a forbidding one, it sprung from the street like a malignant tumor against all the more brightly lit and clean businesses that hugged its right and left sides, and faced it from the Manly Park opposite it.

It had always been a queer neighborhood. Rumors of vampires, werewolves, changelings, black magic and dark sorcerers had abounded there from the times of King Cornish. Some even rumored it to be back from the times of King Arthur, when he and Merlin established their brief empire of Light and the round table of equality run by the most educated and noble Knights of the times.

Therefore it came as no surprise that one day the ancient structure should catch on fire and immediately burn to the ground, impacting business on both sides as firemen from the length and breadth of London strove to put out the scorching flames before all the good nearby businesses were leveled to the ground as well. The fire burned so hot that the firemen were forced to stand at least a hundred feet away to blast their water upon it.

McBride and McBride, fabled inventors of the Golden Ruby, a special hand watch that could accurately keep track of time no matter what time zone, were very bitter that Monday morning, as they rushed to their place of business to see it in flames as well as the dark and malignant mansion nearby.

"Serves them right!" Father McBride told his twenty year old partner and son, Fable McBride, a good lad with blonde hair and stark blue eyes that looked into your very soul. Or at least that's what people told him. Often. And repeatedly.

Fable shook his head, tossing his mane of shoulder length locks and curls about his broad shoulders. "We can rebuild."

His father sighed. "Yes. But will I still be alive to see the business thrive once more?"

His son was silent.

"Excuse me, kind sir." Watson asked from two gentlemen away. "Am I right to assume that you two are related to the fire here this morning?"

"Not related, but victimized." Father McBride corrected.

Watson stepped around the two gawkers of the crowd that had been building to watch the death and destruction of the old mansion, and took his hat off. "I'm deeply sorry for your loss. You are then Father McBride?"

"How would you know that, sir?"

Watson indicated the briefcase in Father McBride's hands, and the label upon it.

"Oh. Yes. Rather silly of me to question you on that, wasn't it? How can I help you then?"

"My friend and I..." He indicated Sherlock Holmes who stood closer to the fire, his eyes on 
something only he was aware of. "Mister Holmes..."

"Not the...Mister Holmes!" Fable exclaimed, reaching out his hand to take Watson's. "I read your articles in the London Blast every day. Fascinating. Brilliant. You are admired by every school child and young woman and man in the Greater Britains."

Watson flushed with embarrassment at the comment and looked away to hide his red face. "I've been told that you two knew the deceased."

Father McBride gave Watson another look of astonishment. "But how could you know..."

Fable nudged him. "No one could have survived that fire, Father."

"Right. Yes. So sorry. I'm just testy because of the damage to our reputation."

Watson turned to look at him again, his embarrassment under control once more. "Before we were summoned here by Inspector Bloodstone, he mentioned that you two had been having some...uh...difficulties with the Elder Gelding?"

"Yes. The man kept an inordinate number of bats in his basement, and they would fly out at night and attack our dear Nellie."

Fable jumped in. "A sheep dog. My father got him as a gift from me Mummy."

Father McBride corrected him. "Your mother!"

"Yes. That's right, Me...My Mother."

Watson almost laughed, but restrained himself at this minor infraction on the father's part against his son. It wasn't uncommon for the richer gentry to be very precise about their language as a way of showing off their wealth and considerations.

"I see." Watson spoke finally.

"Can you tell me how your dog fares now, Mister McBride?" Sherlock said as he stepped between the father and son to look into his face.

"Oh."

Sherlock waited, saying nothing.

"She is quite happy." Father McBride answered a bit too quickly.

Sherlock's eyes narrowed. 

Inspector Bloodstone, his short red hair flaring a bit from rushing to the crime scene, or perhaps not a crime scene. That was yet to be determined. He came up and nodded to the father and son. "You remember our earlier conversation?"

"Yes." Father McBride responded. "You had two gentlemen looking into the bats issue to see if a mutually agreeable solution could be found."

"It would appear a solution has been found, though not beneficial to either your, the Geldings, or the other business scored by this unfortunate incident."

Sherlock spoke again, more slowly. "Did you have any relationship with the Goodfellows, who owned the other shop?"

"We spoke sometimes when passing." Father McBride answered politely.

Fable jumped in. "Merilee Goodfellow and I are dating."

His father glared at him. "A bad relationship it is too."

"You do not approve of the daughter?" Sherlock inquired.

"No, I think she is fine, but the father is a dark sort, and I'm afraid his nature rubs off on his daughter as well, though why my son can't see that, I don't know."

"I see. Then you won't mind us speaking to them about this incident?"

"Why should I mind? It's a free London."

Sherlock nodded, then as the last of the flames were smothered by water and began settling down; he proceeded with Inspector Bloodstone to the ruins to inspect them. On the way he stopped to look back at Father McBride, who was watching him closely, but quickly looked away when seen doing so.

Watson took out a small notebook, with hurried notes in it. "How long have you known the Geldings?"

"Never. Never saw them. Never spoke to them, except through a Legal Counsel who applied the letter of law upon them for the bats."

"And Nellie, your sheepdog. Have you made a claim for her death?"

Father McBride blanched the color of a ghost. "How in the devil did you know that, sir?"

Sherlock and Inspector Bloodstone stooped in the smoking rubble and dug something up with their hands, then slowly lifted it into view. They came waking back towards Watson and the McBride's.
They set the object down on the cobblestone street in front of the pair.

Sherlock eyed the father. "You said your sheep dog was fine, am I correct?"

"Yes. Indubitably."

Inspector Bloodstone dropped back to the left on Sherlock's slight eye movement and kept an intent stance as Sherlock continued.

"Please examine the tags on this dog's neck."

"My God! The poor creature. Caught in that horrible place!" Father McBride gasped, then dropped to a knee and examined the tags. His face drained of all color as he slowly rose.

"Inspector." Sherlock spoke.

Inspector Bloodstone pulled out a pair of handcuffs from his jacket pocket and approached the father.
Fable tried to stop him.

"Son. Will you interfere with the arrest of a man for the murder of an entire family?"

Fable began to shake with fear and anxiety and dropped back, making short intakes of air, sounding like he might be ready to faint.

Sherlock nodded to Watson who attended to Fable, leading him towards a nearby constable wagon.
"Mister McBride, you are under arrest for the murder of Elmer, Aimee and Louis Gelding."

Father McBride put his hands out and they were handcuffed.

He looked back at Sherlock before he was led away.

"How could you know I set the fire?"

Sherlock raised a fingertip with a white substance on it. "Phosphor."

"Phosphor?"

"Your firm is well known for using phosphor in large quantities to apply the extreme heat needed for your construction of the most excellent time pieces you manufacture."

"Everyone knows that." Father McBride protested.

"This dog did not die of the fire." Sherlock noted.

"What!"

"No, it died from a severe beating. Its skull was split in three different places."

Sherlock walked closer to Father McBride.

"Mister Gelding caught you beating your beloved dog to death and threatened to expose you to the world as a man who hurts innocent creatures, thus tarnishing your reputation and that of your shop."
Fable, who had been struggling with the indictment of his father, spoke up, his voice weak and trembling. "Father. You told me that Mister Gelding killed the dog."

The Inspector gave the son a look of surprise.

Sherlock turned to the Inspector. "I think that you will find that it was the father, who ordered the burning of the mansion, but it was his son who delivered the deadly white phosphorous through the basement windows, knowing full well how deadly and highly inflammable it was."

The Inspector scowled at the son, who now hid his face in his hands and began to weep. 

The Inspector nodded to a nearby constable who took the son in tow. They marched the McBrides off to the constable wagon.

Watson sighed. "So many lives ruined over an animal."

Sherlock turned to Watson. "Which animal do you refer to, Watson? The dog or the father?" Without another word he stuck his hands behind his back and strode off, leaving a shocked Watson behind him.

Monday, May 30, 2016

5 of the best (and worst) Sherlock Jokes


5 of the best (and worst) Sherlock jokes

Camping trips, word play and a joke about pavements… we round up some of the best Sherlock-themed jokes on the internet


5 of the best (and worst) Sherlock jokes

Written By
What better way to get in the mood for a new series of Sherlock than a few jokes? Series three lands on our screens tomorrow night. But before Benedict Cumberbatch and Martin Freeman get back to the altogether more serious business of how Sherlock is actually still alive, here’s a bit of silliness. 
Add your own jokes in the comment section at the end… 

1. Camping
Sherlock Holmes and Dr Watson went on a camping trip. After a good meal and a bottle of wine they lay down for the night, and went to sleep. Some hours later, Holmes awoke and nudged his faithful friend.
"Watson, look up at the sky and tell me what you see." 
Watson replied, "I see millions and millions of stars." 
"What does that tell you?" Watson pondered for a minute. 
"Astronomically, it tells me that there are millions of galaxies and potentially billions of planets. Astrologically, I observe that Saturn is in Leo. Horologically, I deduce that the time is approximately a quarter past three. Theologically, I can see that God is all powerful and that we are small and insignificant. Meteorologically, I suspect that we will have a beautiful day tomorrow. What does it tell you?” 
Holmes was silent for a minute, then spoke. "Watson, someone has stolen our tent!" 
Via jokes4us

2. Paintings
One day, Sherlock Holmes and Doctor Watson were doing their usual investigative business, when they uncovered an unusual painting.
At first glance, it looked like a picture of normal oak tree, in the middle of a wilderness, but if one looked closer, one could see that it was a remarkable painting. The tree trunk was actually made of fire, and its branches were made of ice, clouds and earth.
"What is it, Holmes?" asked Watson in awe.
"It's an Element tree, my dear Watson," replied Holmes.
Via angelfire

3. Chasing pavements
Q: Did you hear that Sherlock made a song called “The Pavement”?
A: Yeah, it was a hit! 
Via wattpad

4. Looking for limestone
Sherlock Holmes and Dr Watson are busy with yet another complicated case. Suddenly, Holmes seizes a chunk of blood-spattered limestone from the ground.
"What is it, Holmes?" asks Watson, eagerly.
Holmes turns and replies, gravely, "It's sedimentary, my dear Watson.”
via angelfire 

http://www.radiotimes.com/news/2013-12-31/5-of-the-best-and-worst-sherlock-jokes

Saturday, April 30, 2016

Sherlock Holmes Comic Book Covers and a few cartoons









Sherlock Holmes Versus Professor Moriarity


Depending on which version you've read or seen, it could be either one. Does it really matter? The games afoot and that's the cool of it.

Confronting Moriarity from BBC Sherlock


Kind of scary.

Sherlock Holmes and the Voice of Terror movie and cool facts.

From Wikipedia:

Sherlock Holmes and the Voice of Terror is the third film in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes movies. Made in 1942, the film combines elements of the Arthur Conan Doyle story "His Last Bow", to which it is credited as an adaptation, and loosely parallels the real-life activities of Lord Haw-haw. Horror film "scream queen" Evelyn Ankers appears as leading lady.

Contents

Plot


Nigel Bruce, Evelyn Ankers and Basil Rathbone in Sherlock Holmes and the Voice of Terror (1942)
The film begins with a title card describing Holmes and Watson as "ageless", as an explanation as to why the film is set in the 1940s rather than Holmes' era of 1881–1914, as the preceding 20th Century Fox films were. Though there is a nod to the classic Holmes in a scene where Holmes and Watson are leaving 221b Baker Street, and Holmes picks up his deerstalker. Watson protests, and Holmes reluctantly puts on a fedora instead.
Holmes is called into the "Inner Council" of British Intelligence by Sir Evan Barham (Reginald Denny), to assist in stopping Nazi saboteurs operating in Britain, whose activities are announced in advance in radio broadcasts by "The Voice of Terror".
Gavin (Robert Barron), one of Holmes's operatives, is killed with a German dagger in his back. Before he dies, Gavin utters the word "Christopher." Later, Holmes and Watson go to the Limehouse district of London, where they meet with Gavin's wife Kitty (Evelyn Ankers).
Holmes tells the council that, through the use of an oscilloscope to carefully analyze and compare sound wave patterns from radio broadcasts of live vs. pre-recorded voices, he has determined that "The Voice of Terror" is actually recorded on phonograph records in England, but broadcast from Germany. Using a tip from Kitty, Holmes and Watson go to the old Christopher Docks, where they are followed by Sir Anthony Lloyd (Henry Daniell) of the council. The three men are captured by a group of Nazi spies led by a man named Meade (Thomas Gomez), although Meade manages to escape through a trap door to a waiting speedboat.
Kitty pretends to be a thief on the run and joins Meade. She finds out that Meade plans to go to Sir Evan's country estate that night. There Holmes and Sir Evan watch a German plane attempt to land, but gunshots fired by Sir Evan disrupt the Nazi rendezvous; all the while Meade hides in the dark.
After one of Holmes informants traces Meade and Kitty to the south coast of England, Holmes forces the council to go there with him. With the support of British troopers, Holmes captures Meade and a group of German soldiers stationed in an abandoned church.
There he reveals the true identity of "The Voice of Terror" as Sir Evan Barham, who happens to be an impostor. Holmes then reveals that in World War I, the real Barham was a prisoner in a German war camp and had an uncanny resemblance to a Heinrich Von Bock, a member of the German Secret Service; one day the real Barham was taken out and executed; the gentleman who called Holmes into the case was Von Bock himself who had been posing as Barham for 24 years; Holmes then adds that Barham had no immediate family, so his private life was well studied by Von Bock, who also studied at Oxford and had knowledge of the English language and manners. So, with a little help of plastic surgery, not to mention the resemblance to Barham in the first place, the deception was carried out thoroughly. Holmes also concludes that the real Sir Evan Barham carried a scar from childhood, the one Von Bock carried from plastic surgery was approximately 20 years old - the clue that gave away the fact that he was an impostor.
Holmes then informs the spies that the German invasion force has been destroyed. The angry Meade shoots and fatally wounds Kitty, but is killed himself as he attempts to escape. The Council stand around the murdered Kitty and swear that her heroic death will not be in vain.
The film ends with a direct quote from "His Last Bow":
Watson: It's a lovely morning, Holmes.
Holmes: There's an east wind coming, Watson.
Watson: I don't think so. Looks like another warm day.
Holmes: Good old Watson. The one fixed point in a changing age. There's an east wind coming all the same. Such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's own wind none the less. And a greener, better, stronger land will lie in the sunshine when the storm is cleared.[1]

Cast

References


  1. Davies, David Stuart, Holmes of the Movies (New English Library, 1976) ISBN 0-450-03358-9

External links

Saturday, July 18, 2015

The Invisible Man by H.G. Wells Chapter 23 In Drury Lane Part One



The Invisible Man
by H.G. Wells
Chapter 23
In Drury Lane
Part One


"But you begin now to realise," said the Invisible Man, "the full
disadvantage of my condition. I had no shelter--no covering--to
get clothing was to forego all my advantage, to make myself a
strange and terrible thing. I was fasting; for to eat, to fill
myself with unassimilated matter, would be to become grotesquely
visible again."

"I never thought of that," said Kemp.

"Nor had I. And the snow had warned me of other dangers. I could not
go abroad in snow--it would settle on me and expose me. Rain, too,
would make me a watery outline, a glistening surface of a man--a
bubble. And fog--I should be like a fainter bubble in a fog,
a surface, a greasy glimmer of humanity. Moreover, as I went
abroad--in the London air--I gathered dirt about my ankles, floating
smuts and dust upon my skin. I did not know how long it would be
before I should become visible from that cause also. But I saw
clearly it could not be for long.

"Not in London at any rate.

"I went into the slums towards Great Portland Street, and found
myself at the end of the street in which I had lodged. I did not
go that way, because of the crowd halfway down it opposite to the
still smoking ruins of the house I had fired. My most immediate
problem was to get clothing. What to do with my face puzzled me.
Then I saw in one of those little miscellaneous shops--news,
sweets, toys, stationery, belated Christmas tomfoolery, and so
forth--an array of masks and noses. I realised that problem was
solved. In a flash I saw my course. I turned about, no longer
aimless, and went--circuitously in order to avoid the busy ways,
towards the back streets north of the Strand; for I remembered,
though not very distinctly where, that some theatrical costumiers
had shops in that district.

"The day was cold, with a nipping wind down the northward running
streets. I walked fast to avoid being overtaken. Every crossing was
a danger, every passenger a thing to watch alertly. One man as I
was about to pass him at the top of Bedford Street, turned upon
me abruptly and came into me, sending me into the road and almost
under the wheel of a passing hansom. The verdict of the cab-rank
was that he had had some sort of stroke. I was so unnerved by this
encounter that I went into Covent Garden Market and sat down for
some time in a quiet corner by a stall of violets, panting and
trembling. I found I had caught a fresh cold, and had to turn out
after a time lest my sneezes should attract attention.

"At last I reached the object of my quest, a dirty, fly-blown little
shop in a by-way near Drury Lane, with a window full of tinsel
robes, sham jewels, wigs, slippers, dominoes and theatrical
photographs. The shop was old-fashioned and low and dark, and the
house rose above it for four storeys, dark and dismal. I peered
through the window and, seeing no one within, entered. The opening
of the door set a clanking bell ringing. I left it open, and walked
round a bare costume stand, into a corner behind a cheval glass. For
a minute or so no one came. Then I heard heavy feet striding across
a room, and a man appeared down the shop.

"My plans were now perfectly definite. I proposed to make my way
into the house, secrete myself upstairs, watch my opportunity, and
when everything was quiet, rummage out a wig, mask, spectacles, and
costume, and go into the world, perhaps a grotesque but still a
credible figure. And incidentally of course I could rob the house
of any available money.

"The man who had just entered the shop was a short, slight,
hunched, beetle-browed man, with long arms and very short bandy
legs. Apparently I had interrupted a meal. He stared about the shop
with an expression of expectation. This gave way to surprise, and
then to anger, as he saw the shop empty. 'Damn the boys!' he said.
He went to stare up and down the street. He came in again in a
minute, kicked the door to with his foot spitefully, and went
muttering back to the house door.

"I came forward to follow him, and at the noise of my movement he
stopped dead. I did so too, startled by his quickness of ear. He
slammed the house door in my face.

"I stood hesitating. Suddenly I heard his quick footsteps returning,
and the door reopened. He stood looking about the shop like one who
was still not satisfied. Then, murmuring to himself, he examined the
back of the counter and peered behind some fixtures. Then he stood
doubtful. He had left the house door open and I slipped into the
inner room.

"It was a queer little room, poorly furnished and with a number of
big masks in the corner. On the table was his belated breakfast,
and it was a confoundedly exasperating thing for me, Kemp, to have
to sniff his coffee and stand watching while he came in and resumed
his meal. And his table manners were irritating. Three doors opened
into the little room, one going upstairs and one down, but they
were all shut. I could not get out of the room while he was there;
I could scarcely move because of his alertness, and there was a
draught down my back. Twice I strangled a sneeze just in time.

"The spectacular quality of my sensations was curious and novel, but
for all that I was heartily tired and angry long before he had done
his eating. But at last he made an end and putting his beggarly
crockery on the black tin tray upon which he had had his teapot, and
gathering all the crumbs up on the mustard stained cloth, he took
the whole lot of things after him. His burden prevented his shutting
the door behind him--as he would have done; I never saw such a man
for shutting doors--and I followed him into a very dirty underground
kitchen and scullery. I had the pleasure of seeing him begin to wash
up, and then, finding no good in keeping down there, and the brick
floor being cold on my feet, I returned upstairs and sat in his
chair by the fire. It was burning low, and scarcely thinking, I put
on a little coal. The noise of this brought him up at once, and
he stood aglare. He peered about the room and was within an ace
of touching me. Even after that examination, he scarcely seemed
satisfied. He stopped in the doorway and took a final inspection
before he went down.

"I waited in the little parlour for an age, and at last he came up
and opened the upstairs door. I just managed to get by him.

"On the staircase he stopped suddenly, so that I very nearly
blundered into him. He stood looking back right into my face and
listening. 'I could have sworn,' he said. His long hairy hand
pulled at his lower lip. His eye went up and down the staircase.
Then he grunted and went on up again.

"His hand was on the handle of a door, and then he stopped again
with the same puzzled anger on his face. He was becoming aware of
the faint sounds of my movements about him. The man must have had
diabolically acute hearing. He suddenly flashed into rage. 'If
there's anyone in this house--' he cried with an oath, and left the
threat unfinished. He put his hand in his pocket, failed to find
what he wanted, and rushing past me went blundering noisily and
pugnaciously downstairs. But I did not follow him. I sat on the
head of the staircase until his return.

"Presently he came up again, still muttering. He opened the door of
the room, and before I could enter, slammed it in my face.

"I resolved to explore the house, and spent some time in doing so
as noiselessly as possible. The house was very old and tumble-down,
damp so that the paper in the attics was peeling from the walls, and
rat infested. Some of the door handles were stiff and I was afraid
to turn them. Several rooms I did inspect were unfurnished, and
others were littered with theatrical lumber, bought second-hand, I
judged, from its appearance. In one room next to his I found a lot
of old clothes. I began routing among these, and in my eagerness
forgot again the evident sharpness of his ears. I heard a stealthy
footstep and, looking up just in time, saw him peering in at the
tumbled heap and holding an old-fashioned revolver in his hand.
I stood perfectly still while he stared about open-mouthed and
suspicious. 'It must have been her,' he said slowly. 'Damn her!'

"He shut the door quietly, and immediately I heard the key turn in
the lock. Then his footsteps retreated. I realised abruptly that I
was locked in. For a minute I did not know what to do. I walked
from door to window and back, and stood perplexed. A gust of anger
came upon me. But I decided to inspect the clothes before I did
anything further, and my first attempt brought down a pile from an
upper shelf. This brought him back, more sinister than ever. That
time he actually touched me, jumped back with amazement and stood
astonished in the middle of the room.

"Presently he calmed a little. 'Rats,' he said in an undertone,
fingers on lips. He was evidently a little scared. I edged quietly
out of the room, but a plank creaked. Then the infernal little brute
started going all over the house, revolver in hand and locking door
after door and pocketing the keys. When I realised what he was up to
I had a fit of rage--I could hardly control myself sufficiently to
watch my opportunity. By this time I knew he was alone in the house,
and so I made no more ado, but knocked him on the head."

"Knocked him on the head?" exclaimed Kemp.

"Yes--stunned him--as he was going downstairs. Hit him from
behind with a stool that stood on the landing. He went downstairs
like a bag of old boots."

"But--I say! The common conventions of humanity--"
The